Images of footprints made by Buddha are from the earliest Buddhist art forms. Another word used when describing Buddhas footprints is “Buddhapada”, they are highly revered in all all Buddhist countries, especially Sri Lanka and Thailand, where the Buddha himself once walked. Buddhapada is a symbol that has been respected in India because for it's representation of the grounding of the transcendent.
In Modern Buddhism the Footprints have many different meanings, but they are all related to Buddhism, ultimately it is undisputed that they are a symbol of the existence of the Buddha. Some people believe that after the Buddha attained enlightenment, his feet made an imprint in the stone where he stood.
In a different tradition, the infant Buddha stood and walked for seven steps after his birth as a symbol of his spiritual domination of the universe. Ether way the footprints of the Buddha symbolize the Buddha's presence. Even today the Buddhapada are still revered in the Buddha's absence, now that he has entered nirvana they are a reminder of the Buddhist strides toward a life of nonattachment.
Physically the Buddha's footprints can come with different images, but most commonly they are depicted with the toes of all one length and a dharmachakra wheel on the soul. Other symbols that often
appear on the heel and toes are a lotus flower the swastika and the three Jewels or triratna.
On very large Buddhapada's there is enough room for more detail, so there is room for 32, 108 or even 132 distinctive marks of a Buddha usually in a checkerboard pattern. Any or all of these symbols can also seen on the bottoms of the feet of large statues of the Buddha when he is reclining.
The oldest and most precious sculptures of Buddha's footprints are protected in special temples and structures, where Buddhist monks and others who are faithful will bring offerings such as flowers, fruit, incense and money.
Monday, May 11, 2009
Footprints of the Buddha
Tuesday, February 24, 2009
Tara is the Star who Saves
There is a very special deity known throughout Buddhism named Sgrol-ma, which means “she who saves”. This savior goddess is most popular in the regions of Tibet , Mongolia and Nepal. She is known simply as Tara or “star” in the Sanskrit language.
Tara is the goddess of universal compassion, she is the representation of all virtuous, enlightened action. Her love for all living things is stronger than the love of a mother for her child. Tara protects us during our earthly travels, giving us longevity and stands guards us as we fumble our way through the spiritual journey to enlightenment.
Before the sixth century CE Tara was not known to Buddhists but she was very well known in Hinduism by another name, the goddess Parvati. When Buddhists discovered Tara they say she was born out of Avalokiteshvara, through her tears of compassion. As the bodhisattva Avalokiteshvara wept for the world and its beings who endure suffering, her tears formed a lake. Inside this lake of tears grew a lotus and when the lotus opened the goddess Tara was inside! In another legend Tara was born from a blue light beam coming from one of Avalokiteshvara's eyes.
The body of Tara is envisioned in different colours, each colour symbolizes separate things. In some traditions it is said that White Tara, with her lotus in full bloom, symbolizes the day, and was born from the tears of Avalokiteshvara's left eye. Green Tara with her half-open lotus, represents the night, and came from the tears of Avalokiteshvara's right eye. Green Tara is the embodiment of virtuous activity, White Tara symbolizes the immense compassion of the goddess who labors day and night to relieve suffering.
In Tibet,Every pious woman was believed to be an incarnation of Tara. She was associated with two wives of the first Buddhist king of Tibet, Srong-brtsan-sgam-po. The Buddhist kings wife from imperial China was known an incarnation of the White Tara, while the king's wife from Nepalese was an incarnation of the Green Tara. It is possible that the strong need to see both these pious women as incarnations of Tara was the reason Buddhists came up with the concept of green and white forms of this goddess.
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Labels: Avalokiteshvara, bodhisattva, Buddhist, compassion, Enlightenment, goddess, green Tara, imperial china, legend, Lotus, suffering, symbol, tears, Tradition, universal, white Tara, women
Wednesday, February 4, 2009
She Is The Star Who Saves
There is a very special deity known throughout Buddhism named Sgrol-ma, which means “she who saves”. This savior goddess is most popular in the regions of Tibet , Mongolia and Nepal. She is known simply as Tara or “star” in the Sanskrit language.
Tara is the goddess of universal compassion, she is the representation of all virtuous, enlightened action. Her love for all living things is stronger than the love of a mother for her child. Tara protects us during our earthly travels, giving us longevity and stands guards us as we fumble our way through the spiritual journey to enlightenment.
Before the sixth century CE Tara was not known to Buddhists but she was very well known in Hinduism by another name, the goddess Parvati. When Buddhists discovered Tara they say she was born out of Avalokiteshvara, through her tears of compassion. As the bodhisattva Avalokiteshvara wept for the world and its beings who endure suffering, her tears formed a lake. Inside this lake of tears grew a lotus and when the lotus opened the goddess Tara was inside! In another legend Tara was born from a blue light beam coming from one of Avalokiteshvara's eyes..
The body of Tara is envisioned in different colours, each colour symbolizes separate things. In some traditions it is said that White Tara, with her lotus in full bloom, symbolizes the day, and was born from the tears of Avalokiteshvara's left eye. Green Tara with her half-open lotus, represents the night, and came from the tears of Avalokiteshvara's right eye. Green Tara is the embodiment of virtuous activity, White Tara symbolizes the immense compassion of the goddess who labors day and night to relieve suffering.
In Tibet,Every pious woman was believed to be an incarnation of Tara. She was associated with two wives of the first Buddhist king of Tibet, Srong-brtsan-sgam-po. The Buddhist kings wife from imperial China was known an incarnation of the White Tara, while the king's wife from Nepalese was an incarnation of the Green Tara. It is possible that the strong need to see both these pious women as incarnations of Tara was the reason Buddhists came up with the concept of green and white forms of this goddess.
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Labels: Avalokiteshvara, bodhisattva, Buddhist, compassion, Enlightenment, goddess, green Tara, imperial china, legend, Lotus, suffering, symbol, tears, Tradition, universal, white Tara, women
Friday, January 16, 2009
Symbolism of the Dharmachakra
The Buddha was the first person who “turned the wheel of dharma” and when he did the wheel then became it's own symbol called the Dharmachakra or the “wheel of law”. The Tibetans use the term “the wheel of transformation” The wheel is a representation of the cycle of samsara, or rebirth. The cycle can only be broken by following the Buddha's teachings, and is one of the Eight Auspicious Symbols.
Buddhists see the wheel as having three basic parts or "three trainings". The first section is the hub, it symbolizes moral discipline, which is able to stabilize the mind. There are eight spokes that represent wisdom that can be applied to defeat ignorance. Each of the eight spokes symbolize the Noble Eightfold Path set out by the Buddha in his teachings. The rim is a representation of concentration, which holds everything else together.
The wheel's motion is seen as a metaphor for the rapid spiritual change that happens when someone follows the teachings of the Buddha. The first discourse at Deer Park in Sarnath is known as the "first turning of the wheel of dharma." And subsequent discourses at Rajgir and Shravasti are known as the "second and third turnings of the wheel of dharma."
The wheel has been a common symbol in Buddhist art long before the introduction of images. In those days, the Dharmachakra symbolized not only the Buddha's teachings but the Buddha himself. Emperor Ashoka (272-32 BC) built pillars on top of which he placed four carved lions and four wheels, Each one faces the one of four directions to proclaim the Buddhist Dharma throughout India.
Today, the Dharmachakra appears in the art of every Buddhist culture. On images of the Buddha, the wheel appears on the palms of his hands and the soles of his feet. It is often seen in Tibet, flanked by two deer, the whole image is a representation of the Buddha's first sermon in the Deer Park. The wheel is usually central to mandalas, geometric representations of the Buddhist universe. It also appears in the Dharmachakra Mudra, in which the Buddha forms a wheel with the position of his hands.
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Labels: Buddhism, culture, Deer park, deity, Dharmachakra, Eight Auspicious Symbols., eight spokes, metaphor, Noble eightfold path, symbol, Wheel, wheel of law, wheel of transformation
Thursday, January 15, 2009
The Buddhist Lotus Symbol
In Buddhism the lotus flower is one of the most poignant representations of Buddhist teachings and is one of the Eight Auspicious Symbols. The lotus flower has a strong pleasant odor and is the only water dwelling plant to regularly rise eight to twelve inches above the surface. This flower has inspired many people through out many cultures, it is small, yet strong, carring deep rooted symbolism.
The Lotus is Buddhism's best recognized motif it is used in all kinds of Buddhist art across all Buddhist cultures. Scrolling lotuses often embellish Buddhist textiles, ceramics and architecture. They can also be found as part of the many symbols, where the number of pedals is of great importance.
The growth pattern of a lotus flower signify the progress of the soul. The roots of a lotus flower grow from the primeval mud of materialism, the stem then grows up through the waters of experience, where it lies pristinely above the water, and basks in the bright sunshine of enlightenment.
According to scholars, "in esoteric Buddhism, the heart of the being is like an unopened lotus: when the virtues of the Buddha develop therein, the lotus blossoms; that is why the Buddha sits on a lotus bloom." Almost every important Buddhist deity can be associated in some way with the lotus, either being seated upon a lotus in full bloom or holding one in their hands. Some images of standing Buddhas will go as far as to have each foot rests on a separate lotus.
Finally the color of the lotus is as important to the symbolism associated with it. The white Lotus represents a state of spiritual perfection and total mental purity. It is associated with the White Tara who will proclaim her perfect nature, a quality which is reinforced by the color of her body. Pink is the supreme lotus, mostly reserved for the highest deity. Naturally it is associated with the Great Buddha himself. Red signifies the original nature and purity of the heart. It is the lotus of love, compassion, passion and all other qualities of the heart. It is the flower of Avalokiteshvara, the bodhisattva of compassion. The blue Lotus is a symbol of the victory of the spirit over the senses, and signifies the wisdom of knowledge. It is the preferred flower of Manjushri, the bodhisattva of wisdom.